As the sparks fly upwards... is really on it's way now. The piece, which uses Isadora to bring live dancers and film clips together, had it's first showing last Friday with very positive results.
Lights are attached to dancers' bodies which are then tracked in the space by a camera and used by Isadora to trigger specific pre-recorded film clips. The movement is the same for the live and filmed dancers but the order is completely different. Sometimes in unison, sometimes in canon, sometimes completely out of sync.
Initial feedback includes comparisons to photographic dark rooms watching images develop, appraisals of the dynamic, fluid movement and claims of 'this is the future of screendance'.
View the Isadora output...
Or mobile phone footage from the performance...
Thursday 26 June 2008
Friday 13 June 2008
Interact with Us
FireBox will be spending next week at the UK Theatre School courtesy of the Dance House working on new material for an interactive dance performance. The exciting part is...
that as well as being able to watch the FireBox dancers performing, you will also be able to get involved and get interacting with the piece. Don't worry you don't need to dance if you don't want to, you just have to be willing to hold a light and move around the room. Easy.
Come along on Friday 20th June at 6pm for your chance to watch it, try it out or both!
UK Theatre School - opposite the old Odeon cinema
4 West Regent Street,
Glasgow
G2 1RW
that as well as being able to watch the FireBox dancers performing, you will also be able to get involved and get interacting with the piece. Don't worry you don't need to dance if you don't want to, you just have to be willing to hold a light and move around the room. Easy.
Come along on Friday 20th June at 6pm for your chance to watch it, try it out or both!
UK Theatre School - opposite the old Odeon cinema
4 West Regent Street,
Glasgow
G2 1RW
Wednesday 11 June 2008
The Practice Room, The Poles and The Paper
It's been a busy time for FireBox recently with a few breakthroughs in terms of my degree project, the first draft of my masters due in and working on a dance film with some contemporary/pole dancers.
Isadora is starting to behave herself in the Practice Room at The Arches just in time for my Dance House creative lab at the UK theatre school next week. I've got nice LED lights to use as a trigger and the dancers have been working on some great sequences that will be used as the basis for their improvisations. I'd asked them to choreograph their own combos as I'd wanted something different from my usual style and they ended up creating 4 different combos that are very much my style - perhaps we've all been working together too long!
I still need to get all my extra dancers together one weekend to film the movie clips for the piece and, as always, I'm expecting that to be a logistical nightmare.
Two of my dancers, Gill Smith and Suzi Kelly, have been going to pole dancing classes recently and were keen to combine it with contemporary dance so we got together and made a film with them showing off their new skills. The first edit is done and as soon as they've signed off on it I'll be punting it around different events and getting it shown.
Finally, the dreaded paper. The first draft is in and I'm waiting on some feedback before I get stuck in to completing it. There are some things I already know need to be expanded upon and clarified but the basis is there so I just need to get my head down and get on with it.
Isadora is starting to behave herself in the Practice Room at The Arches just in time for my Dance House creative lab at the UK theatre school next week. I've got nice LED lights to use as a trigger and the dancers have been working on some great sequences that will be used as the basis for their improvisations. I'd asked them to choreograph their own combos as I'd wanted something different from my usual style and they ended up creating 4 different combos that are very much my style - perhaps we've all been working together too long!
I still need to get all my extra dancers together one weekend to film the movie clips for the piece and, as always, I'm expecting that to be a logistical nightmare.
Two of my dancers, Gill Smith and Suzi Kelly, have been going to pole dancing classes recently and were keen to combine it with contemporary dance so we got together and made a film with them showing off their new skills. The first edit is done and as soon as they've signed off on it I'll be punting it around different events and getting it shown.
Finally, the dreaded paper. The first draft is in and I'm waiting on some feedback before I get stuck in to completing it. There are some things I already know need to be expanded upon and clarified but the basis is there so I just need to get my head down and get on with it.
Subscribe to:
Posts (Atom)
