What you need is a Toggle!

After a tutorial with Dan and a brainstorming session with Gair on Thursday then hours locked in a room in The Arches I've had a breakthrough with Isadora.

It makes sense.

I get it.

I can't quite convey how happy that makes me and how much of a relief it is (I'm sure it's just as much of a relief to my tutors as well who must have been worried I'd change my mind again) to realise that I'll be able to pull off my ideas.

Isadora Is Trouble.

It was a bit of a disappointing day at the Arches today. I had 3 of the dancers I'll be using at my disposal and just felt like I was wasting their time as I couldn't figure out what I was doing with Isadora.

I want to be able to divide the space into a grid and activate video clips when someone enters a certain square of the grid. I can get the video to start but stopping it and switching to something else isn't happening at the moment.

We ended up doing class and going home early. I can't use the space next Friday so I have 2 weeks to figure out what I'm doing before I see the dancers again.

Lights, Camera, Action!

After a successful day in The Arches playing with torches and taking photographs I knew it could turn into something really exciting but didn't really know what. I had thought After Effects would be the answer but after missing the workshop due to the Scottish Dance Theatre work I was back to square one.

Enter Isadora.

It's perfect for working with torches. I can have dancers moving with lights in the space and create the trails of light which I have been obsessed with for a while now at the same time. I can turn these trails of light into different things according to different triggers and I'm really excited about the whole thing.

Result!

Spent the whole day in the practice room in the deepest, darkest depths of The Arches today with Agoria and the rumble of the trains overhead for comfort working on material for my degree show. My initial idea of attaching cameras to dancers bodies doesn't look like it's going to work out - they were starting to make me feel sick never mind anyone else!

BUT I did spend more time working with torches and experimenting with different ways of filming and photographing the work. I love the initial results. It isn't a piece yet, but it will be. I just need to figure out a way of bringing it all together and making it "Screendance" in a way that'll keep everyone happy.

I don't really want to just photograph dancers with torches and slap it up onto a big screen so I need to figure out what I'm going to do with these images, how to manipulate them and make them into something more. Unfortunately I have a feeling that the one workshop that will help me figure all this out is After Effects, Monday-Wednesday next week and I'm busy editing Scottish Dance Theatre stuff for the Friday deadline.

Typical.

Photos here.

Online and On Time

After designing, re-designing and re-re-designing the new FireBox Dance Theatre website with my new found Dreamweaver skills it finally online today just making my self-imposed deadline of 'the end of January'. I work best when I have deadlines.

The design was inspired by the photo shoot we had at The Arches with Derrick (Linton) at the start of December as well as the new logo, which incidentally inspired the coloured stripes across our faces in the 'naked warpaint' shots, but I was having problems finding a colour for text that would work well on both the red and the grey part of the brick background. The solution was to add a plain panel that would contain all the text, with a few exceptions just for variation, but this seemed very sterile and precise against the background. So I searched around and found a black panel with a grunge border that gave the impression that the black strip had been painted onto the wall. With this in place, everything else seemed to work together and, personally, I feel the website is a real indication of the style of the company and our dancers.

Here it is, let me know what you think.

Arches Space

After a meeting with LJ, one of the programmers, at the Arches, Glasgow this morning they have agreed to support my work with space to develop it on a weekly basis. I will be given use of one of the practice rooms to begin with then as the project develops I will be allowed to develop the work in one of the performance spaces. I'm really excited about this as it's a big development for me both as part of my coursework and professionally. Part of the reason LJ is supporting me is because of my growing reputation in Glasgow as a choreographer.

I aim to do a series of movement experiments in the practice space, involving a dancer as the work progresses, and trialling the technical side of the work before moving into the performance space. LJ has given me the option of developing a full performance piece with support from the Arches which I intend to do as I feel it will give me even more focus on creating a 'piece' as opposed to a series of research experiments.

Practically Speaking...

How to effect movement change in clubbers?

Small interactive area
'Mini' Disco (Miniscule of Sound, Bestival)
Self-contained
DJ
Lighting
Visuals - After Effects?
Film Delay -Obvious/Subtle?
Isadora?
Death Disco - Jaygo Bloom
Possible Venues - Arches/CCA/Soundhaus/Flying Duck?
Fully interactive
Choreographed element? - Trial at Dance House Creative Lab